During the early 1990s, Young was credited as a key figure in the crafting and popularization of West Coast G-funk, a subgenre of hip hop characterized by a synthesizer foundation and slow, heavy production. The group popularized explicit lyrics in hip hop to detail the violence of street life. Young began his career as a member of the World Class Wreckin' Cru in 1985, and later found fame with the gangsta rap group N.W.A. He is the founder and CEO of Aftermath Entertainment and Beats Electronics, and co-founded and was the president of Death Row Records. Dre, is an American record producer and rapper. Dre.Andre Romell Young (born February 18, 1965), known professionally as Dr. But The Chronic was then, and is still, everything the legendary Death Row Records would become known for-god-tier street rap as orchestrated by the label’s onetime golden goose, the incomparable Dr. All of which is not to mention an undeniably healthy dose of misogyny (“Bitches Ain’t Shit”, etc.). The album, named for a high-grade marijuana of its time, contains a multitude of disses for both Eazy-E and Heller-and also Luke Campbell, Tim Dog and Ice Cube-disseminated within fiercely competitive posse cuts (“Deeez Nuuuts”, “Lyrical Gangbang”, “Stranded on Death Row”), vivid depictions of the lives of young hustlers (“Let Me Ride”, “Nuthin’ But a ‘G’ Thang”, “Rat-Tat-Tat-Tat”) and a handful of ruminations on the perils of street life and also solidarity in the Black community (“Lil’ Ghetto Boy”, “A N***a Witta Gun”, “The Day the N****z Took Over”). The Chronic, in fact, would set the tone for Death Row Records as an incubator-and more notoriously, the inevitable saboteur-of some of the most memorable talents in Los Angeles street rap history.Īnd street rap is exactly and exclusively what you find herein. And atop their rejiggered masterpieces? A bevy of then still-bubbling yet incomparably talented MCs who, in that moment, shared an insatiable hunger to make a name for themselves in rap.Īmong them were as-yet-unproven versions of Nate Dogg, Kurupt, Daz Dillinger, Warren G, The Lady of Rage, and, of course, a young Snoop Dogg, who authored so many of the album’s verses-his and other people’s-that he’d wonder, in conversation with fellow onetime Death Row signee Crooked I some decades removed from the album’s creation, “How the fuck was I on damn near every song?” The answer can be found in just about any verse he can be heard spitting on the album. The album contains samples from Parliament, George Clinton, James Brown, Led Zeppelin, Gil Scott-Heron, Bill Withers and Malcolm McLaren, to name but a few of the universally recognised innovators and geniuses from whom Dre borrowed inspiration. Dre’s The Chronic is a record powered in equal parts by weed, vitriol and G-funk, a West Coast hip-hop subgenre that Dre founded by way of optimising some of the funkiest and most innovative sounds of his adolescence and young adulthood. “Frankly, I don't love nothin' they got to do with.” And this before anyone on the album spits a single bar.ĭr. “I don't love Eazy, I don't love Jerry, I don't love Ruthless Records,” he continued. groupmate Eazy-E and business partner Jerry Heller-Snoop wanted to be crystal clear about where his alliance lay. “Sincerely yours, these motherfuckin' nuts.” In standing with Dre, newly freed from what the producer and MC saw as an exploitative Ruthless Records deal-one for which he blamed former N.W.A. Roarke and Tattoo, AKA Jerry and Eazy,” Snoop says towards the end of “The Chronic (Intro)”. Dre’s Death Row Records debut that a then-promising MC named Snoop Doggy Dogg draws a hard line in the sand.
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